Gear: Nikon D7000 camera, Nikon AF-S DX 17-55mm f/2.8G IF-ED lens. “Squatting down and using a wide-angle lens can make a photo more dramatic.” YingHui Liu That way, it will be much easier to remove them. It’s better for them to cross the more monotonous parts of the facade rather than the intricate details. If you’re taking a photo of a building and notice that the composition is disturbed by objects you can’t avoid (for example, wires), you have to choose your position while keeping in mind that you’ll have to erase those wires in post-processing. On the other hand, the greatest enemies of the architecture photographer are visually polluting objects like traffic, tram or trolley wires, lanterns, or even trees. Whenever I want to take photos of a building, I check the weather forecast and to see when the main facade will be exposed to sunlight. Of course, the best friends of an architecture photographer are a good wide-angle lens and sunlight. Perhaps it’s not the most natural look, but somehow I like it this way. I have processed this photo in several different color tone versions, but I like this one the most. The water was almost like a mirror the sakuras blossomed, and I was satisfied with the photo despite the cloudy sky and absence of sunshine. I was aware of the fact that this is the place where many important decisions for Europe’s future are made. Taking photos of the Strasbourg parliament building was an emotional experience. Although both buildings are huge, Strasbourg has a much wider open space around it, and I could easily take photos even without a full-frame camera and wide-angle lens. Taking photos of the Strasbourg parliament building is also much easier than the one in Brussels. It’s more open, transparent, and modern, so it seems to better represent the EU ideals (liberty, democracy, development) in architectural language. Of the two, I prefer the one in Strasbourg. I visited them as a journalist, so I could take photos not only of the exterior but also the interior. The most high-profile institutional buildings I’ve photographed are the European Parliament buildings in Strasbourg and Brussels. Tell us about a time you’ve photographed a government building. Settings: Focal length 18mm exposure 1/640 sec f5 ISO 200. Gear: Nikon D5100 camera, Nikkor 18-55mm lens. “Of course, the best friends of an architecture photographer are a good wide-angle lens and sunlight.” Ikars Kublins We asked five outstanding photographers to tell us about their experiences shooting in or outside different high-profile “corridors of power.” Below, they share their memories as well as their best tips for everything from composing a shot to avoiding crowds of tourists. In recent years, people with cameras in the vicinity of various government office buildings have been approached by police or even officially banned. Depending on the government and the building, photojournalists might also have difficulty gaining access. Photographers working in and around government buildings all over the world must capture the philosophies of the people and their leaders in the form of marble, iron, and brick. For that reason, architectural shots of government buildings can seem like they belong to a whole new genre of photography. Regardless of our cultures and politics, government buildings become symbols for the masses-the phrase “corridors of power” speaks to their significance and mythos-and pictures of these buildings are pieces of history. In Australia, the Canberra Parliament House. In Beijing, it’s the Great Hall of the People. Five pro photographers share their favorite experiences of working on these historical sites. Uncover the secrets of capturing the dignity and gravity of government buildings around the world.
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